Of the 4 William Inge plays I read this month, The Dark at the Top of the Stairs struck me as the best. I enjoyed Inge's dialogue and all around writing. A strange mixture, both old-fashioned and dated, while at the same time more modern in theme than that of his contemporaries. All about The Dark at the Top of the Stairs by William Inge. LibraryThing is a cataloging and social networking site for booklovers. Row 6 (1) script (4) sex (1). Dark at the Top of the Stairs (1960) Based on the 1957 Broadway play by William Inge, Dark at the Top of the Stairs follows the life of Rubin Flood (Robert Preston), an out of work traveling salesman in 1920's Oklahoma, his frigid wife, Cora ( Dorothy McGuire), his painfully shy daughter, Reenie ( Shirley Knight), and son, Sonny, who Rubin considers a mama's boy. Directed by Delbert Mann. With Robert Preston, Dorothy McGuire, Eve Arden, Angela Lansbury. In Oklahoma in the 1920s, Rubin Flood (Robert Preston) loses his job as a travelling salesman when the company goes bankrupt. Damp, dark, full of spiders and rotten cloth and ooze from the river - and rats. Maybe even bats, the aviators of the rodent family. Hall threw the can hard, then smiled thinly to himself as the faint sound of Warwick's voice came down through the overhead ducts, reading Harry Wisconsky the riot act.
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The Dark at the Top of the Stairs | |
---|---|
Directed by | Delbert Mann |
Produced by | Michael Garrison |
Written by | Harriet Frank Jr. Irving Ravetch |
Based on | the play, The Dark at the Top of the Stairs by William Inge |
Starring | Robert Preston Dorothy McGuire Eve Arden Angela Lansbury Shirley Knight |
Music by | Max Steiner[1] |
Cinematography | Harry Stradling Sr. |
Edited by | Folmar Blangsted |
Production company | |
Release date |
|
123 minutes |
The Dark at the Top of the Stairs is a 1960 American drama film. Academy Award winner Delbert Mann directed the work of Robert Preston and Dorothy McGuire in the production. Shirley Knight garnered an Oscar nomination for Best Supporting Actress, and Lee Kinsolving was nominated for a Golden Globe Award as Best Supporting Actor. Knight was also nominated for two Golden Globes. Mann's direction was nominated for a Directors Guild of America Award for Outstanding Directing in a Feature Film. It was based on the Tony Award-nominated 1957 play of the same name by William Inge.
Plot[edit]
During Prohibition in Oklahoma, Rubin Flood is a successful harness and saddle salesman. However, with the advent of the automobile, his job is becoming more difficult. He is married to Cora, someone he considers a demanding wife and over-protective mother. When he learns his company is closing, he is unable to face his wife, and stops at a pharmacy to partake of 'medicinal' alcohol. Cora is out with her daughter Reenie, buying a dress for a birthday party of one of her classmates.
Rubin cannot bring himself to tell Cora he has lost his job, arguing about how much Cora has spent on Reenie's dress, with Cora's lamenting that she always has to watch every penny. The couple's younger son Sonny is being bullied at school. Sonny has a fear of the dark. Determined to get him to stand up for himself, Rubin attempts to teach him to box. While sparring, he inadvertently strikes the boy too hard. Cora, now incensed, tears into Rubin, eventually accusing him of having an affair with Mavis Pruitt, a local widow. A livid Rubin slaps Cora, then storms out of the house. Reenie witnesses her parents' dispute. She runs into the street, causing a motorist to swerve and strike a tree. The driver, Sammy Golden, is relatively unhurt, and he and Reenie become attracted to one another.
Cora calls her older sister Lottie to tell her that Rubin hit her. Rubin, still slightly intoxicated, shows up at Mavis' beauty salon, which also is where she lives. He is seen going in by two town gossips. Rubin tells her Cora has ignored him for years, and while he has remained faithful, he desires Mavis. When she doesn't accept his halfhearted advances, Rubin falls asleep on her parlor sofa.
Days later, Lottie and her husband are there for dinner. Cora asks Lottie if she and the kids can come stay with her. Just as she asks, Rubin returns home to apologize. The two gossips call Cora to tell her, which re-ignites the argument. He accuses Cora of rejecting him sexually, and she argues that she can't be in the mood when she spends her days worrying about money. Reenie's friend Flirt and her boyfriend arrive, with a date for Reenie, Sammy. Lottie's bigotry is revealed when she suggests that Cora and Rubin might not want to allow Reenie to accompany a Jew to the party.
Sammy and Reenie kiss at the party, but Harry Ralston and his wife walk in on them, berating her for bringing a Jew to the country club, where they are not allowed. Embarrassed, Sammy and Reenie leave. Sammy bemoans the bigotry in the world, and drops Reenie at home, where she finds Rubin on the sofa. He confesses that he has lost his job and doesn't know how to tell Cora. The following morning, they learn Sammy has attempted suicide. Reenie rushes to the hospital, telling him that she doesn't care what people think.
Cora promises Sonny to stop being so over-protective so he can grow into a responsible adult, then receives a call letting her know that Sammy has died. Cora heads over to Mavis's salon. She pretends to be a customer, before revealing she is Rubin's wife. Mavis confesses that she has been in love with Rubin for years, but that Rubin has always been faithful to Cora. She also reveals that Rubin has lost his job.
Rubin has found a new job as a salesman at an oil drilling equipment company. He returns home to find Cora waiting for him. She has sent Reenie to Lottie's for a few days to help her come to grips with Sammy's death. Cora and Rubin declare their love for one another and a commitment to paying more attention to each other's needs. As they embrace, Sonny returns home with a friend, one of his former tormentors from school. Rubin pays for the two boys to go see a movie, After they leave, he follows his wife up to the bedroom.
Cast[edit]
- Robert Preston as Rubin Flood
- Dorothy McGuire as Cora Flood
- Eve Arden as Lottie Lacey
- Angela Lansbury as Mavis Pruitt
- Shirley Knight as Reenie Flood
- Lee Kinsolving as Sammy Golden
- Frank Overton as Morris Lacey
- Robert Eyer as Sonny Flood
- Penney Parker as Flirt Conroy
- Ken Lynch as Harry Ralston
- Paul Birch as Jonah Mills (uncredited)
- Peg LaCentra as Edna Harper (uncredited)
- Nelson Leigh as Ed Peabody (uncredited)
- Charles Seel as Percy Weems (uncredited)
- Mary Patton as Mrs Ralston (uncredited)
Production[edit]
Warner Brothers announced in January 1960 that it would be producing a film version of Inge's play, directed by Delbert Mann, and starring Robert Preston and Dorothy McGuire.[2] During rehearsals for the production, Mann used the same process he had used since his first film, Marty, in 1955. First, the cast read through the entire script, then they rehearsed the entire screenplay on set prior to the commencement of filming.[3] The film went into production in late January.[1] By the beginning of March an actor's strike was looming, scheduled for March 7. Warner Brothers began going to seven days a week production schedules, in order to complete filming before the strike.[4] In mid-July, it was announced that The Dark at the Top of the Stairs would headline the launch of the fall season, opening at Radio City Music Hall after Labor Day.[5] The film opened on September 22, 1960 at Radio City Music Hall in New York.[1]
Reception[edit]
Variety gave the film a favorable review, noting that it was 'well cast and persuasively acted'.[6] However, Bosley Crowther of The New York Times did not give the film a favorable review, calling it a 'flawed adaptation of the original stage play'.[3] The Film Bulletin gave the film a good review, if they did find it uneven, calling it a 'rather absorbing drama, with goodly shares of humor, warmth, and tragedy'. They felt that Preston's performance was fine, but would have been better if he had brought more 'humility and tenderness' to the role. Hindu panchang calendar 2013 pdf. They found McGuire's performance 'splendid', and thought Mann's direction was professional, but that he focused on 'certain scenes singularly, rather than integrating them into the whole'.[7]Motion Picture Daily gave the film another good review, although they were not kind to Mann's direction, finding it to be the weakness in the picture, saying that he 'failed to draw out some of the most vital scenes all the urgency and pathos that Inge had wrote into them'. They praised the work of Harriett Frank and Irving Ravetch in their adaptation of Inge's play to the screen, and felt the acting was exceptional. They called Preston's work 'excellent', and McGuire 'warm and appealing'; they felt the rest of the cast was well-done, and singled out Lansbury's performance as outstanding. The one sour note in the acting corps, the felt, was Arden's performance as the aunt, which they felt worked during the comedic sections, but was 'out of key' during the dramatic moments.[8]
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Shirley Knight earned an Oscar nomination for Best Supporting Actress for her role as Reenie Flood.[9] Knight also received two Golden Globe nominations for her performance: for Golden Globe Award for Best Supporting Actress – Motion Picture and New Star Of The Year - Actress. Lee Kinsolving also received a Golden Globe nomination for Best Supporting Actor for his role as 'Sammy Goldenbaum'.[10] Mann's direction was nominated for a Directors Guild of America Award for 'outstanding directorial achievement'.[11] The film was voted one of the ten best of the year in 1960 by the National Board of Review.[12][13] Eve Arden's performance rated among the five best of the year by supporting actresses, according to The Film Daily's poll of over 1800 critics.[3]
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References[edit]
- ^ abcde'The Dark at the Top of the Stairs: Detail View'. American Film Institute. Archived from the original on April 17, 2016. Retrieved April 17, 2016.
- ^'This Is Your Product'. Film Bulletin. January 18, 1960. p. 27. Retrieved September 5, 2017.
- ^ abcDavid C. Tucker (2011). Eve Arden. McFarland. p. 128. ISBN0786488107.
- ^'Studios Rush To Beat Actor Strike Deadline'. Motion Picture Daily. March 1, 1960. pp. 1, 7. Retrieved September 5, 2017.
- ^'Music Hall Premiere Announced for 'Stairs''. Motion Picture Daily. July 19, 1960. p. 2. Retrieved September 5, 2017.
- ^Variety Staff. 'The Dark at the Top of the Stairs'. Variety. Archived from the original on April 17, 2016.
- ^''The Dark at the Top of the Stairs''. Film Bulletin. September 19, 1960. p. 18. Retrieved September 5, 2017.
- ^'Review: The Dark at the Top of the Stairs'. Motion Picture Daily. September 14, 1960. p. 3. Retrieved September 5, 2017.
- ^'The 33rd Academy Awards: 1961'. Academy of Motion Picture Arts and Sciences. Archived from the original on April 17, 2016. Retrieved April 17, 2016.
- ^'Winners & Nominees 1961'. Hollywood Foreign Press Association. Archived from the original on April 18, 2016. Retrieved April 17, 2016.
- ^'Six Films Nominated For Directorial Awards'. Motion Picture Daily. October 20, 1960. p. 3. Retrieved September 5, 2017.
- ^'The Dark at the Top of the Stairs: Notes'. Turner Classic Movies. Archived from the original on October 23, 2016. Retrieved October 23, 2016.
- ^''Sons and Lovers' Named '60's Best'. Motion Picture Daily. December 27, 1960. p. 3. Retrieved September 5, 2017.
External links[edit]
- The Dark at the Top of the Stairs on IMDb
- The Dark at the Top of the Stairs at Rotten Tomatoes
Retrieved from 'https://en.wikipedia.org/w/index.php?title=The_Dark_at_the_Top_of_the_Stairs_(film)&oldid=976996001'
By William Inge
January 22 – February 21, 2016
An American Classic by a Pulitzer Prize winner, it was nominated for 5 Tonys. Set in plain spoken mid-America in the 1920s, it is a tender but honest look at family life – the hopes, the trials, the love, the joys, the sorrows. Come meet Ruben and Cora Flood, their children, relatives and neighbors.
“(This) production is superb, with every period and character detail honed to perfection.”
— San Diego Reader Read the review
— San Diego Reader Read the review
• Cast • Production Staff • Production Photos
Alec Apodaca (Punky & Asst. Stage Mgr.) is appearing for the first time in a Scripps Ranch Theatre production. He is an alumnus of the Mesa College Theatre Company and receiver of the program’s Best Supporting and Lead Actor awards. This is the first time Alec is working as a professional actor, and he hopes to prove himself with good and hard work on the stage.
Laura Bohlin (Cora) returns to SRT after appearing in Tribute and Postmortem. Her local credits include Persuasion – OnStage Playhouse (Aubrey Award nominee); Plays by Young Writers – Playwrights Project/Old Globe; Mistletoe, Music and Mayhem – Ocean Beach Playhouse; as well as The San Diego Fringe Festival and site-specific theater with New Play Café. Laura performs with a murder mystery theater troupe and appears frequently in independent films and commercials. Her acting recognition includes winning Best Actress for the 2015 San Diego Film Consortium Student Film Awards. She is grateful to her fiance, family, and friends — and supporters of theatre like YOU!
Alex Guzman (Rubin) couldn’t be happier making his Scripps Ranch Theatre debut. Favorite acting credits include The Lion in Winter (Moonlight Stage Productions), ENRON (Moxie Theatre), Fat Pig (Patio Playhouse – ACT Aubrey Award winner for best supporting actor in a comedy), and Angels in America (Palomar College). He will next be seen performing in Seminar this Spring with InnerMission Productions, and Lydia and The Normal Heart next Summer and Winter with ion Theatre. He would like to thank the talented cast and crew for being so great to work with, and his beautiful wife for always supporting him.
Fred Harlow (Morris Lacey) is returning to SRT for the eighth time and is excited to be in this production. Past shows include Sylvia, Brooklyn Boy, Tribute and others. Around town he has performed at The Old Globe, La Jolla Playhouse, Moxie, North Coast Rep and almost every theater in-between. Favorite local roles are Valere in La Bete for the Fritz, Roy in The Best Mistake (Playwrights Project), and half the citizens in A Tuna Christmas at Compass Theatre. In March he can be seen in Waiting for Godot at the White Box Theatre in Liberty Station.
Janey Hurley (Flirt) is performing on the Scripps Ranch Theatre stage for the first time. Recent shows include Boeing, Boeing, Much Ado About Nothing, and The Drowsy Chaperone. She’s had so much fun working with this incredible cast and is looking forward to what’s next!
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Gabe Krut (Sammy) is very grateful to Annie, Ted, Jill, the crew, and his parents for giving him this opportunity and supporting him through it. Gabe most recently has appeared in Lord of the Flies (New Village Arts), Brighton Beach Memoirs (North Coast Repertory), The Tempest as Caliban (The Bishop’s School), and onstage at the Old Globe for the San Diego Shakespeare Society’s Celebrity Sonnets (Sonnets 19 and 27). Thank you for supporting local theater.
Gabi Leibowitz (Reenie) has been (and is) fortunate to participate in the San Diego theater community. She recently played Rivkele in the reading of God of Vengeance (LJ Playhouse), the title role in Mary Poppins (J*Company), Cinderella in Into the Woods (CYC), Diane in bare: a pop opera (Diversionary), and has been a seasonal entertainer at LEGOLAND. Past roles: Betty-Lou/Bootsie in Dr. Seuss’ How the Grinch Stole Christmas! (The Old Globe), Shprintze in Fiddler on the Roof (Lyric Opera), Lucy in 13 (a musical by Actors’ Conservatory Theatre), Minnie Fae in Hello, Dolly! (J*Company) and Rachel in Two Seven, an independent film scheduled for release in 2016. Thanks to SRT for this amazing opportunity.
Ryan Singer (Sonny) is excited to make his SRT debut. Ryan has previously performed with Young Actors’ Theatre, Pickwick Players and Mt. Helix Academy. Favorite roles include Pugsley in The Addams Family, Gavroche in Les Miserables, Evan Goldman in 13 and Horton in Seussical. Ryan also has sung on several recordings and music videos and recently auditioned for the voice of Charlie Brown in The Peanuts Movie and for Young Simba in the Broadway production of The Lion King. Ryan would like to thank the cast and crew for this opportunity.
Susan Stratton (Lottie Lacey) has been a performer, director and theater teacher in the San Diego area for over 30 years. Favorite roles include Videllia Sparks in The Sugar Bean Sisters, Joanne in Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, and Kate in TheTaming of The Shrew. Susan holds a B.A. in Drama from SDSU, and a M.A. in Direction from Central Washington University. This is her first appearance at SRT.
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Ted Leib (Director & Sound Designer) A native San Diegan, Ted began working in theater while living in Orange County, where he directed Pirates of Penzance (STAGEStheatre); Bug (Hunger Artists); Bus Stop (Vanguard); Forever Plaid, The 12 Plays of Christmas (the Orange County Pavilion); as well as the short film, Conversations.., among others. He recently directed Boeing, Boeing and The Musical of Musicals for Oceanside Theatre Company. As an actor Ted has appeared in more than 25 stage productions in San Diego and Orange Counties. He has a Masters in Film and Television from San Diego State, and has taught at SDSU, CSUF, and Saddleback College. Sound design credits include Spelling Bee (Intrepid), One Flea Spare and Bug (Hunger Artists), The Liar, Five Course Love, Out on a Limb, Sleuth, and Lettice and Lovage (SRT), The Boys Next Door, A Year With Frog & Toad, Lost In Yonkers, Barefoot in the Park, Jacob Marley’s Christmas (Oceanside Theatre Company), among others.
Allan Salkin (Production Manager) moved to San Diego from Princeton NJ in 1994 and has been affiliated with SRT since 2002 in a variety of capacities, including Publications Manager and Producing Director. He also is an actor whose favorite roles include Tevye in three different productions of Fiddler…, Matt in Talley’s Folly (opposite his wife, Marty), and a 75-year-old Italian grandfather in SRT’s production of Over the River and Through the Woods in 2010.
Charmaine Reed (Stage Manager) is back at SRT, having served as Stage Manager for our production of Beau Jest last season. She started her love affair with theater over 30 years ago as an actor, but recently found her penchant for Stage Management. Charmaine has a B.A. in History, is a graduate of CSUSM’s College of Education, and recently earned her Theatre Arts degree at Palomar College. In 2013 she completed a Stage Manager Internship at The Old Globe for How the Grinch Stole Christmas. SM credits include Amazons and Their Men and Tru (Diversionary Theatre), Twilight: Los Angeles 1992, Seussical the Musical, Good Kids, Stop Kiss (CSUSM), and Fiddler on the Roof (Pacco Arts).
Bob Shuttleworth (Scenic Designer) is new to Scripps Ranch Theatre this season, but not to the Legler Benbough Theatre. He was once the Scene Shop Manager in here for US International University. Bob holds a Bachelor of Fine Arts degree from Southern Oregon University, and has designed sets for nearly 100 productions, most recently designing for Pacific Ridge School in Carlsbad, where he also leads a Middle School Woodworking Club, and co-teaches a course on theater design. No stranger in front of the stage, Bob has appeared in nearly 150 productions in a variety of roles. A resident of Poway, Bob shares his life with his wife Susan, and his son Adam.
Chad Oakley (Lighting Designer) – At SRT, Chad was production manager for Tribute and They’re Playing our Song, lighting designer for An Inspector Calls, As Bees In Honey Drown and Almost, Maine, and stage manager for Crimes of the Heart, Chapter Two and Play it Again Sam. Locally Chad has completed over 85 lighting and set designs as well as directed The Violet Hour at OnStage Playhouse and Pippin for Pickwick Players.
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Lisa Burgess (Costume Designer) is happy to have returned to Scripps Ranch Theatre this season, costuming both Sleuth and The Heir Apparent, having previously costumed SRT productions in 2009 and 2011. Other costumer/seamstress work includes: Compass Theatre, Ariel Performing Arts, 2009 New Perspective Festival, DangerHouse Productions, Onstage Playhouse, Pickwick Players, Southwestern College, and the revived Lamplighters Theatre in 2015. Lisa has been nominated for the local ACT Aubrey Award three times for costume design.
Angelica Ynfante (Properties Mistress) graduated from Texas State University with a BFA in Theater. She has worked her way around the U.S., including Texas, Virginia, West Virginia, Vermont, New York, Tennessee and Kentucky. She also worked in Cancún, Mexico. Angelica finally made it to sunny California where she is currently working her fourth season as Props Mistress with San Diego Repertory Theatre. She has worked on many SRT productions, and is also the Technical Director for Moxie Theatre.
Photo credit: Ken Jacques
Pictured: Laura Bohlin, Gabi Leibowitz
The Dark At The Top Of The Stairs Script Pdf Download
Photo credit: Ken Jacques
Pictured: Laura Bohlin (left), Ryan Singer (top), Alex Guzman (right)
Pictured: Laura Bohlin (left), Ryan Singer (top), Alex Guzman (right)
Photo credit: Ken Jacques
Pictured: Ryan Singer, Laura Bohlin, Gabi Leibowitz
Pictured: Ryan Singer, Laura Bohlin, Gabi Leibowitz
Photo credit: Ken Jacques
Pictured: Ryan Singer, Laura Bohlin
Photo credit: Ken JacquesPictured: Ryan Singer, Laura Bohlin
Pictured: Susan Stratton, Fred HarlowPhoto credit: Ken Jacques
Pictured: Susan Stratton, Fred Harlow
Photo credit: Ken Jacques
Pictured: (Clockwise from top left): Susan Stratton, Laura Bohlin, Gabe Krut, Ryan Singer, Gabi Leibowitz
Pictured: (Clockwise from top left): Susan Stratton, Laura Bohlin, Gabe Krut, Ryan Singer, Gabi Leibowitz
Photo credit: Ken Jacques
Pictured: Susan Stratton, Laura Bohlin
Pictured: Susan Stratton, Laura Bohlin
The Dark At The Top Of The Stairs Script Pdf Converter
Photo credit: Ken Jacques
Pictured: Laura Bohlin, Gabi Leibowitz Skunk4.1 lighthouse of sylos android app.
Pictured: Laura Bohlin, Gabi Leibowitz Skunk4.1 lighthouse of sylos android app.
Photo credit: Ken Jacques
Pictured: Alex Guzman, Laura Bohlin
Pictured: Alex Guzman, Laura Bohlin
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Photo credit: Ken Jacques
Pictured: Alex Guzman, Laura Bohlin
Pictured: Alex Guzman, Laura Bohlin